Tuesday, September 20, 2011

Report on the 17th September 2011 talk to the Quilt Study Group by Jennifer Corkish about her inspiration when designing quilts based on antique quilts.

Jennifer Corkish is a noted quilt designer and teacher who lives in the Southern Highlands of NSW and who specialises in antique looking quilts. She spoke to us about her inspiration when designing quilts and the process she follows for reproducing antique quilts. She was accompanied by five of her students who showed us their quilts, completed and in progress, demonstrating the variety of modifications to her quilt patterns that can be made. 
Jennifer (2nd on left) with her students
Jennifer told us that she looks at quilt auction and sale websites, museum collections, magazines, books, quilts brought along to Quilt Study Group meetings, private quilt collections and old embroideries to inspire her in designing her quilt patterns. She often takes ideas from different quilts to come up with a design that is modified in class to meet each of her students’ aims, sewing preferences and fabric choices.

Here are 3 students' variations of one of her designs  –  
We were taken through a series of images of antique quilts, their source details, Jennifer’s designs inspired by those quilts, and then we were shown 2 to 3 examples of quilts made in her classes from her patterns. Jennifer carefully explained exactly how each pattern was created and then varied for each student. Many of her Australian quilt inspirations came from photographs in Dr. Annette Gero’s books (the Frederica Josephson quilt, the Roebuck quilt, the Sarah Evans quilt, Elizabeth Hardy’s 1840 quilt, Jessie Wilson’s 1870 Medallion with Heart quilt, Mary Tolman’s 1850s hexagon quilt), Jenny Manning’s book and Aunt Clara’s quilt from the Powerhouse Museum.  
Her inspirations are many -  patterns on tiles, photographs of quilts in the Victoria and Albert Museum and the Beamish Collection in the UK, and antique quilts she saw at Houston in USA. Jennifer said she prefers to use ordinary materials to design her quilt patterns – graph paper, propelling pencil, compass and protractor, but she has been known to use EQ7 and Photoshop software. Her final statement was apt: “I can’t imagine living without a needle and thread. That’s why I design, colour, stitch and teach others to do the same.”
Liz Bonner.

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